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a pictorial by Bill Pitts

 

Longwood was built by Haller Nutt in 1860 as a home for himself, his wife, and their eight children. This 19th Century Oriental Style villa was to have been one of the grandest houses in the Natchez, Mississippi area. Architect Samuel Sloan of Philadelphia, Pennsylvania was hired to design the house in 1859, but work was left unfinished with the outbreak of the Civil War in 1861. In April of that year, the news of the beginning of the war reached the Natchez area, and the Philadelphia artisans dropped their tools and returned north to join the Union forces.

 

Although he was a Union sympathizer, Nutt lost his fortune as a result of the war and died in 1864 of pneumonia — although some claim it was of a broken heart over the lost dream of his magnificent Longwood.

 

Longwood has been designated a Registered National Historic Landmark, a Mississippi Landmark, and an historic site on the Civil War Discovery Trail.

 

Photos by Bill Pitts, unless otherwise noted.

 

Presented to the Pilgrimage Garden Club of Natchez by the Kelly E. McAdams Foundation of Austin, Texas in 1970 (in order to read the plaques above, click for a larger image), Longwood is the largest octagonal house in the country and a fine example of the Oriental Revival style that was popular in the mid-19th century. Samuel Sloan "was a leading Philadelphia-based architect and writer of architecture books . . . . He specialized in Italianate villas and country houses, churches, and institutional buildings." [See Wikipedia article on Sloan and this biography] Of his many projects, Longwood is his most well-known.

 

In 1963, two of Haller's and Julia's grandchildren, Mrs. Robert Blanchard and Mrs. Leslie K. Pollard, along with Mrs. Singleton Gardner who was the widow of Jim Ward, another grandchild, sold Longwood to Kelly Edgar and Ina May Ogletree McAdams, "who have long held an abiding interest in the preservation of all early Americana, and more especially in the protection and saving for prosterity those structures of great historic and architectural importance to be found in our country." (from The Legend of Longwood by Margaret S. Hendrix, Natchez, Mississippi)

 

Derisively referred to in Natchez as "Nutt's Folly," Longwood can be seen (above, left) in this romanically inspired engraving that appeared at the beginning of the chapter titled "Oriental Villa" in Sloan's book, Homestead Architecture, and in a photograph taken by James Butters on April 14, 1936 for the Library of Congresses' Historic American Buildings Survey (above, right). Note the roof of the detached kitchen to the left of the house in the photograph and two of the four chimneys on the roof on either side of the domed cupola. In spite of the derisive comments of Haller Nutt's neighbors, the building is impressive and definitely one of a kind.

 

 

The completed house was to have had 32 rooms, 26 fireplaces, 115 doors, 96 columns, and a total of 30,000 square feet of living space, but only nine of the 32 rooms were finished.

 

Click here to see a cross-section of Longwood.

 

Furnishings for the house were purchased in countries across Europe and shipped across the Atlantic for eventual delivery up the Mississippi River by steamboat to Natchez.

 

The final leg of this journey would have been by wagon from Natchez Under the Hill to Longwood but the outbreak of the Civil War led to the shipments being seized in route by the Federal Blockade of the Southern ports. Reportedly, some of these shipments found their way to various museums.

 

The more than one million bricks used to build Longwood (as seen at left) were all made on the grounds of the estate.

 

 

In his book Homestead Architecture, Samuel Sloan estimated that the cost of a house such as Longwood "would not vary much from $55,000," the equivalent of $1,300,000 in 2006 according to the website MeasuringWorth.

 

These three reproductions of the structure's floor plans, on display at Longwood, clearly show the octagonal shape of the house and the intended use for the various rooms. Click on each for a larger view of that plan. Please use these plans as a guide for visualizing the location of the rooms shown here. Orders for furniture went to New Orleans, New York, and Philadelphia. Orders for marble statues, marble mantles, and tiles went to Italy.

 

Meant to be the gentlemen’s smoking room in the basement, this bedroom (above, left) includes a toilet disguised as a brown chair (seen to the right of the bed). Next to the intended smoking room was to be the billiard room (above, right), now the family’s music room.

 

This engraving from Sloan's book Homestead Architecture shows the style of furniture that had been meant for the Nutt's drawing room. As railroad shipments from the north were out of the question during the Civil War, the suite of furniture was sold instead to railroad magnate Asa Packer and can be found today in the parlor of his mansion in Jim Thorpe, Pennsylvania.

 

The crate that protected the Stieff grand piano (above, left) on its sea voyage from the Stieff factory in Baltimore, Maryland still sits upstairs on the unfinished main floor (above, right) with the dust of a century and a half heavy upon it.

 

More dust covered items found in the unfinished area of the house (above) are these trunks and tubs, containers and barrels undoubtedly used by the builders of Longwood, and this empty shipping crate from Park Avenue in New York City that is clearly marked with the address of daughter Julia Nutt, who lived on — unmarried — at Longwood until her death in 1932.

 

One of the unfinished rooms on the main floor (above, left) showing the boarded-up windows that are seen from the outside. The original 24-foot tall wooden finial (lying on its side above, center) was replaced with a fiberglass replica, now atop the sixteen-sided cupola’s Byzantine-Moorish, onion-shaped dome (above, right). Note the modern, cube-shaped mold (seen at the extreme left of the center photo) that was used to form the parts of this new finial.

 

A system of mirrors had been designed to reflect sunlight to the many rooms of Longwood from the windows in the sixteen-sided tower atop the house. The view above of the interior of this high cupola, taken in a time-lapse from the unfinished second floor, shows the blurs of people passing over the camera that is sitting facing up on the floor. The chimney-like shape of the house was intended to funnel warm air up toward the top of the cupola, creating an updraft that escaped through windows high in the building, thus drawing fresh air into the lower floors.

 

Haller Nutt and his family settled in the basement, thinking the war would be over in a few months and that work on the house could then resume (basement exterior shown at upper left with retaining wall). Nutt’s descendants went on to occupy the unfinished house for the next 100 years, before it was presented to the Pilgrimage Garden Club of Natchez in 1970. The stairs shown in the photo to the right lead from the basement hall up to the first floor.

 

Heat was to be supplied by the 26 fireplaces arranged throughout the living areas. This plate warmer (above, center) was placed in front of the fireplace in the dining room to keep food hot prior to serving. A modern electic heater stands in front of the fireplace in the right-hand photograph.

 

Furniture miniatures (above, center), left behind by salesmen as samples of their wares, became toys for the Nutt children, two of whom can be seen in this painting (above, left). The portrait of the unknown lady (above, right) was revealed when a landscape painting was sent out to be cleaned and the landscape washed away. She has not been identified as a family member.

 

Although life in the unfinished mansion during the years of the Civil War would have had its hardships, the family was able to maintain a comfortable existence with the furnishings that they had on hand (above, left). The Indian-style punkah, or “shoo fly” fan (above, center), made dining more comfortable, for young (above, right) and older family members alike.

 

The carriage house in back of the main house (above, left) shelters — you guessed it — Julia Nutt's carriage (above, right).

 

Fine architectural details grace the many balconies of Longwood (above).

 

Separated from Longwood by a small stand of oak trees (above, left) stands the servants' quarters, a three-story, 12-room building that was built before construction of Longwood began (above, center). It would serve as the family's home until the main house could be completed. It appears to be a two-story structure but is built on a slope so that the second floor is level with the drive (above, right).

Black & white photo by Patricia Heintzelman, Historic Sites Survey, National Park Service, 1975